The Disabled Artists Theatre Festival (DAT Fest) is back for its third year with an expanded  two-week programme running from 2 to 17 November at Te Auaha in Wellington.

Co-directed by disabled artists Creatif Kate (she/her) and Susan Williams (they/them), the 2024 festival promises to be the most inclusive yet, run by a D/deaf, disabled and neurodiverse team working behind the scenes.

This year’s programme features comedy, music, cabaret, dance, poetry, networking, exhibitions, art workshops, a book launch – and even taxidermy. All of the events will be held at Te Auaha in Dixon St. Visit the DAT Fest website for the programme

DAT Fest’s mission is to provide accessible opportunities for D/deaf, disabled and neurodiverse performers and creatives to upskill, showcase their talents and connect with peers. At the same time, it is centred on  intersectionality, inclusivity and a human rights-based approach, aligned with the UN Convention on the Rights of Persons with Disabilities and the #NothingAboutUsWithoutUs movement.

Festival accessibility

DAT Fest has grown significantly since it began in 2022. From winning a Wellington Theatre Award for social change in its first year to organising a festival in just six weeks in 2023, the team now enters 2024 with Creative New Zealand funding and a grant from Arts Access Aotearoa's one-off Accessibility Impact Fund.

DAT Fest was one of 31 grant recipients, made possible with funding through Manatū Taonga's Regeneration Fund.

This funding support has enabled new accessibility initiatives, including shuttle services from Te Papa and Wellington Railway Station, addressing the challenges of limited accessible parking in the CBD.

“Inclusion and access are core to our kaupapa,” Susan Williams says. “We want as many people as possible to enjoy this festival without the worry of transport or parking barriers. This year’s festival is for everyone, and with shuttle services, ticket prices starting at $5, and the support of our Wellbeing Wingpeople, we’re committed to making sure that’s a reality.”

Festival highlights include relaxed performances where audiences can move freely and get comfortable, fidget toys for neurodiverse attendees. Audio description and New Zealand Sign Language will be available at most shows and workshops.

Looking to the future, Kate wants to transform DAT Fest into a year-round support network for D/deaf, disabled and neurodiverse artists. “I want people to spend the year doing workshops, preparing acts and meeting other artists, so they’re truly ready to showcase their work at the festival.”

Kate and Susan also acknowledge the enthusiasm from allies in the arts sector. “It’s been brilliant,” says Susan. “So many people want to make their own practices more accessible and reach disabled audiences. It’s great to introduce people to new skills like audio description.”