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The leader presenting accessible concerts of classical music in Aotearoa is Chamber Music New Zealand – for this reason the recipient of this year’s Arts Access Creative New Zealand Arts for All Award.

Yoshiko Tsuruta, Jeremy Fitzsimons, Kimberley Wade, Julian Raphael and Sue JaneOn Saturday 8 October, Chamber Music New Zealand arranged another great event, this time a relaxed concert for the Hohepa Canterbury community in Christchurch. The performance was by marimba and percussion duo Jeremy Fitzsimons and Yoshiko Tsuruta with community musician Julian Raphael of Community Music Junction. 

Jeremy and Yoshiko have been touring New Zealand as part of the Chamber Music New Zealand Encompass Regional Concerts and this was a unique performance designed for audience members with learning disability.

The accepted protocol for relaxed performances or concerts, created for people with learning disability, is that making expressive (appreciative or otherwise) noise or moving round during the concert is totally okay and accepted by the artists. This is also great for parents and caregivers who don’t have to keep their family member quiet or sitting still. 

I attended the concert and knowing all of this, I was fascinated that the entire audience kept to their chairs mesmerised and quiet when the two marimbas were played and sent out waves of muted gold, honey-like sounds! Something about the sound tone and quality literally resonated.

Chamber Music New Zealand's new Mentor Programme

In contrast, Julian Raphael created lots of fun music-making, moving around with hand clapping and singing. Joining him was Christchurch music therapist Kimberley Wade, a mentee in Chamber Music New Zealand’s new Mentor Programme aimed at building leaders in more centres able to facilitate relaxed concerts.

Richard Benge, Barbara Procter and Jenny Hutchings at Foundation North's AGMLeading funding agency Foundation North (Auckland and Northland) held its annual general meeting on Monday 10 October. The well-attended meeting encouraged community organisations to tell their stories – particularly using digital platforms and taking advantage of social media.

At the meeting, several videos were shown illustrating projects by recent grant recipients and their high-quality efforts in helping to build a stronger community in Auckland and Northland.

An example of how digital storytelling can be a powerful advocacy tool for creative spaces can be seen in a video (and story) about Ōtautahi Creative Spaces, situated in Phillipstown Christchurch. Ōtautahi was set up by Kim Morton and her team in response to rising mental health needs in Christchurch. It is an inclusive venture where people from all walks of life are welcomed to come and work on their art. Read the story Art space responds to Christchurch mental health crisis.

In September, Community Development Co-ordinator Clair Noble attended the Arts Activated conference in Sydney. Claire presented in conjunction with wheelchair dancer Rodney Bell. 

The journey of bicultural partnership

Unique to Aotearoa is the journey of bicultural partnership in the arts and social development sector. Claire and Rodney were able to demonstrate important Māori values that are shared across New Zealand society and can be best utilised by community organisations.

Dancer Rodney Bell in his work MeremereRodney performed an excerpt from his new work, Meremere, while Claire talked about Arts Access Aotearoa’s work in supporting inclusive practices that enable disabled people to engage with creative expression and have increased access to live performance venues, festivals and art galleries.

The values that Claire talked about are included in the Arts Access Aotearoa strategic plan and we aspire to demonstrate these in our work

Arts Access Aotearoa provides its service believing in these values:

  • Accessibility and inclusion in the arts, respect and kindness in our undertakings for and with all people
  • Arts Access Aotearoa recognises the importance of Te Tiriti o Waitangi to our kaupapa, with due regard for its articles and principle.

This recognition is reflected in the following values that will underpin our work:

  • Mōhiotanga - seeking understanding and awareness
  • Rangatiratanga – respecting the mana of others
  • Whanaungatanga – appreciating the value of relationships and partnerships
  • Kotahitanga – working in harmony to achieve common purpose and shared vision
  • Kaitiakitanga – service to others and nurturing leadership within others. 

Marimbas mesmerise Hohepa audience

 
 

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